Through their partnership and collaboration, Kilow Art Platform and Cut Contemporary Fine Arts Lab are presenting the inaugural Carbon Tierra Biennale in Ptolemaida City, Greece. The Biennale is directed by an international multidisciplinary research team and is supported by a group of scientific and artistic advisors from Greece and abroad.

Participating artists in the exhibition are the following:

Alfredo Jaar (Chile), Alex Scollay (New Zealand), Bill Psarras (Greece), Corentin Derbré (France), Constantinos Taliotis (Cyprus), Filippos Tsitsopoulos (Greece), Gözde Mimiko Türkkan (Turkey), Jevon Chandra (Singapore), Jim Hobbs (USA/UK), Kalle Brolin (Sweden), Klitsa Antoniou (Cyprus), Lara Salmon (USA), Maayan Amir (Israel), Maria Trillidou (Cyprus), Melita Couta (Cyprus), Monika Moteska (North Macedonia), Narcisa Hirsch (Argentina), Niamh O’ Malley (Ireland), Oliver Ressler (Austria), Oscar Lara (Peru), Ruti Sela (Israel), Robert Cahen (France), Robert Jankuloski (North Macedonia), Rubén Guzmán (Argentina), Trevor Borg (Malta), Vanessa Dahbour (Palestinian/Native American), Vince Briffa (Malta) and Yanyun Chen (Singapore).

Ptolemaida City, throughout its historical trajectory from the latter part of the 20th century to the present, has been associated with coal mining and the establishment of steam power plants for electricity generation. The region’s mines testify to the largest mining activity of the Balkan Peninsula and the frenzied industrial exploitation of underground wealth resulted in socio-economic and political distortions. With the violent advent of the post-lignite period and in combination with the economic crisis of the last ten years and more, the concept of development in the region has been radically redefined.

At the same time, the lasting environmental footprint of mining and industrial activities, along with the absence of compensatory policies for sustainable development, resulted in the degeneration of the landscape and the devaluation of ecological practices, on the altar of profit and energy sufficiency from land exploitation.

Drawing on the work of art historian Herman Bashiron Mendolicchio, Wounded Landscapes, Tense Equilibriums, and Broken Connections: Art, Earth, and Humans (Univ. of Barcelona, 2023) the inaugural edition of the Biennale sets its sights on the Wounded Landscapes found in industrial and post-industrial communities. It focuses on the abusive practices that have been followed and allowed and how they shape and determine our relationship with the urban landscape and the natural environment.

The Carbon Tierra Biennale, by applying extensive, retrospective, creative and participatory research into mining practices and their impact, reinforces our collective identity and our intangible cultural heritage that is largely unexplored. It aims to activate and enrich cultural and artistic research and creation beyond urban centers and metropolitan areas and include peripheral locations by integrating the rural landscape into future artistic processes. It promotes initiatives for local participants and stakeholders to identify specific areas and actions suitable for reinterpretation. At the same time, it attempts, through the perspective of contemporary art and living culture, to re-envision and expand concepts such as those of advancement and social cohesion by examining the contemporary socio-economic reality.

“What is this destructive force we have inside that does not show us the limits and impacts of our actions? What is preventing us from acting in a sustainable way for the future of the Earth and its current and future inhabitants?” (Mendolicchio, 2023). The Biennale pursues to raise questions, seeks to provide openings for the public to contemplate, critique, and reposition damaged landscapes and the deceptive narratives of advancement and economic expansion, redefining the price of such expectations. The Biennale looks for an interactive and dynamic connection between historical mining heritage and innovative contemporary art and artistic practice. In addition, it promotes the creation of connections with other mining communities and their environment, developing a global network of cultural exchange and dialogue.

“Art can propose new tools, it can change the narrative, it can reflect on challenges from different perspectives, and it can nurture movements, but the hegemony of the exploitation system in which we live (the one that can provoke the human fatality and the planet’s catastrophe) requires a broader awareness. Surrounded by wounded landscapes, humanity must find the way to allow and accept a functioning system of co-existence. As stated by author Cal Flyn: ‘This is a corrupted world, yes – one long fallen from a state of grace – but it is a world too that knows how to live. It has a great capacity for repair, for recovery, for forgiveness – of a sort – if we can only learn to do it so.’ Switch off the light. Don’t touch. Stay silent. Leave nature alone.” (Mendolicchio, 2023).

From 27 to 29 September, the Carbon Tierra Biennale will include art performances and video art by international artists. On Sunday, September 29, a panel discussion will take place at the Labor center of the Municipality of Eordaia, while parallel actions that will include exhibitions and installations of local artists in closed shops of the city will further enrich the Biennale’s program.

International Video screenings and Performances

27 September – 29 September 2024
Opening at 27.9.2024 18:00 pm. Meeting Point Agora at 18:00
For more information contact 0030-6981104436 or kilowart.platform@gmail.com

For more information on venues and opening times and the panel discussion on Sunday 29/9/2024 visit our website www.kilowartplatfotm.gr

With the financial support and under the auspices of the Hellenic Ministry of Culture of Greece.
Also Supported by:
Regional Unit of Kozani
Technical Chamber of Greece Western Macedonia
Municipality of Eordaia
Galateia Community

KilowArt platform was created in February 2023 by a multidisciplinary research team. President and artistic director of the organization is George Lazoglou (Interactive Multimedia/Production Manager). Its aim and vision is to co-create and develop international cultural synergies that will lay the basis for a sustainable future in industrial and post-industrial communities.

Cut Contemporary Fine Arts Lab was created in 2019 by Klitsa Antoniou (Visual Artist/Professor). It is an international interdisciplinary research team based and supported by the Department of Fine Arts of the Cyprus University of Technology. It aims to support Experimental Art Practices and Theoretical Research in the context of current local/global/glocal geopolitical and social issues.